Music and criticism: a symposium

Introductory remarks, by A. T. Davison.

The raison d'être of criticism in the arts, by E. M. Forster.

The scope of music criticism, by Roger Sessions.

The critical nature of a work of art, by Edgar Wind.

The performer as critic, by Olga Samaroff.

The art of judging music, by Virgil Thomson.

Consequences of the recorded performance, by Otto Kinkeldey.

The equipment of the musical journalist, by P. H. Lang.

The future of musical patronage in America, by Huntington Cairns.