Sitting at the mouth of the great slave trading route, the slaveholer's great-great-granddaughter pens her preface to the text.
Portrait of the artist as a six-year-old Yankee.
His personal property: inventory and appraisal sheet, 1860.
Four hundred acres of Missouri.
A future made with slaves.
Runaway slave (true north)
Willed, bequeathed,; Edmund walked toward Tennessee, is never seen again, September, 1860.
How long it takes, burying the dead.
George Steel comes home from the war: Missouri, February, 1864.
The former slaveholder's lament.
Line drawing of ex-slave, Columbia Bigbee.
Line drawing of ex-slave James Canafax.
Call and response: the author invokes the slave owner's daughter.
In the Jim Crow Museum of Racist memorabilia.
A few scenes scrapped from the coffee table book Williamsom County, Tennessee the land and it's legacy.
The discovery of Fantastic Caverns, Green County, 1867.
Ouija (Nothern Illinois.).
On reding the Missori slave narratives collected by the Federal Writers' Project.
